Tyler, The Creator’s Do not Faucet the Glass hits No.1 on the Billboard Scorching 100.
Arturo Holmes/Getty Photographs for Coachella/Getty Photographs North America
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Arturo Holmes/Getty Photographs for Coachella/Getty Photographs North America
It is one other week of turmoil on the Billboard albums chart, as 5 albums enter the highest 10 for the primary time — together with Tyler, The Creator’s Do not Faucet the Glass at No. 1 and Ozzy Osbourne’s The Important Ozzy Osbourne, which races to No. 7 within the aftermath of the singer’s demise. On the Scorching 100 singles chart, Alex Warren’s “Abnormal” guidelines for an eighth nonconsecutive week, however HUNTR/X’s “Golden” (from the more and more mighty soundtrack to KPop Demon Hunters) is making a run for the highest with “Golden.”
TOP ALBUMS
Final week, 5 new albums debuted within the Billboard high 10 concurrently — together with Travis Scott’s collaboration with the hip-hop collective JACKBOYS (JACKBOYS 2) at No. 1 and Justin Bieber’s SWAG at No. 2. Seven days later, each albums expertise solely modest drops, partly to make room for a recent album at No. 1: Tyler, The Creator’s Do not Faucet the Glass, which marks his second new chart-topper in simply 9 months. It is the versatile rapper’s fourth straight album to hit No. 1 and his eighth (out of eight) to crack the highest 10.
Tyler, The Creator did not announce the album’s existence till July 18 and launched it three days later, on a Monday. That gave Do not Faucet the Glass simply 4 days to build up sufficient streaming and gross sales to high the charts. However, as a result of he’d offered and promptly shipped so many copies by way of his webstore — 128,000 in all, with a bonus monitor that is not on streaming companies — Tyler had no downside holding off Morgan Wallen’s former chart-topper I am the Drawback for the highest spot.
For many who like to see new (or no less than newish) albums dominate the chart’s higher areas, it is one other thrilling week, as three of final week’s debuts — albums by Scott, Bieber and legendary rap duo Clipse — stick round within the high 10. Even higher, Do not Faucet the Glass is one in all 5 albums to enter the highest 10 for the primary time this week, from debuts (Jessie Murph’s Intercourse Hysteria at No. 8, BTS’s Permission to Dance on Stage — Reside at No. 10) to a latest title experiencing a recent peak, as Alex Warren’s You will Be Alright, Child surges from No. 19 to No. 5 due to a deluxe reissue that provides 10 tracks. Then, there’s a fair older title making its high 10 debut: 2003’s The Important Ozzy Osbourne, which climbs from No. 134 to No. 7 — extra on that beneath.
Lastly, the KPop Demon Hunters soundtrack continues to be racking up week-over-week progress on streaming, because it rises from No. 5 to No. 3. It is nonetheless a methods away from overtaking Wallen — it is pulling rather less than two thirds of I am the Drawback’s ever-sturdy streaming numbers, but it surely’s gaining on him — so for now it will must make do with touchdown a whopping seven songs on this week’s high 40.
TOP SONGS
On the Billboard albums chart, the 2 clearest paths to No. 1 contain streaming and gross sales — or, ideally, a mix of the 2. On the Scorching 100 singles chart, the equal paths entail streaming and radio airplay, which usually tend to dovetail, although the latter usually trails behind the previous and accumulates at a slower tempo. Exterior of cases wherein a famous person drops a monitor on streaming with out a lot warning — for instance, Drake’s “What Did I Miss?” a pair weeks again, or Cardi B’s “Exterior” earlier than that — streaming and airplay are inclined to go hand in hand, no less than close to the highest of the Scorching 100.
However the high of this week’s chart demonstrates how radically one track’s chart path can differ from one other’s. Alex Warren’s “Abnormal” tops the Scorching 100 for an eighth nonconsecutive week, thanks largely to dominant airplay numbers; it sits comfortably atop the Pop Airplay chart and appears unlikely to budge from that perch any time quickly. However it’s solely No. 4 on the streaming chart.
Rising from No. 4 to No. 2 on the Scorching 100, HUNTR/X’s “Golden” — the most important hit from KPop Demon Hunters, that includes EJAE, Audrey Nuna and REI AMI — has simply hit No. 1 on the streaming chart, with a July 25 remix (by David Guetta) set to gasoline its numbers additional beginning subsequent week. However, for all its dominant efficiency on streaming companies, the track’s airplay numbers have lagged; this week, it debuts at No. 35 on Pop Airplay. Even given radio programmers’ tendency to lag behind (and comply with the lead of) the streaming viewers, that is a giant hole, however one which seems to be shrinking slowly.
Justin Bieber’s “Daisies” drops from No. 2 to No. 3 in its second week on the chart, however its airplay numbers have greater than doubled week-over-week, which bodes properly for its future. In the meantime, Kendrick Lamar’s sturdy smash “Luther (feat. SZA)” reenters the highest 10, displacing Drake, whose “What Did I Miss?” tumbles from No. 8 all the way in which to No. 23. Sources counsel that this will not be Lamar’s first-ever victory over Drake; we’ll examine our information and situation a full report.
WORTH NOTING
The demise of a outstanding musician usually triggers a chart growth: Think about the week 5 Prince albums cracked the highest 10 concurrently within the aftermath of his demise, or Toby Keith’s 35 Greatest Hits surging to No. 1 after the nation star died in early 2024. It is solely pure that followers would flip to their favourite streaming companies — and their favourite retailers, and their favourite radio station’s request traces — as a approach of paying tribute.
Ozzy Osbourne died at 76 on July 22, 4 days into the eligibility interval for this week’s Billboard charts. And the surge of streaming, airplay and gross sales — even simply three days’ value — is mirrored on each the Scorching 100 and the Billboard 200 albums chart this week.
Osbourne launched one in all his signature songs, “Loopy Prepare,” on his 1980 album Blizzard of Ounces. The track grew to develop into a traditional over the 45 years that adopted, however its progress has been incremental sufficient that it had by no means cracked the Scorching 100 in any single week — till now. It is No. 46 in its first-ever week on the chart.
“Mama, I am Coming Dwelling,” from 1991’s No Extra Tears, peaked at No. 28 within the spring of 1992 — that monitor was Osbourne’s solely solo high 40 hit, although he landed high 10 singles due to collaborations with Lita Ford (1988’s “Shut My Eyes Endlessly”) and Put up Malone (2019’s “Take What You Need,” which additionally featured Travis Scott). Now, 33 years after its final look on the Scorching 100, “Mama, I am Coming Dwelling” is again on the chart at No. 49.
Billboard guidelines stipulate that beforehand charting catalog titles should crack the highest 50 in an effort to qualify for the Scorching 100, so it is definitely seemingly that different Osbourne titles (and materials by his band Black Sabbath) would have landed on this week’s Scorching 100 have been it not for that technicality. “No Extra Tears” and Black Sabbath’s “Paranoid” seem simply behind “Loopy Prepare” and “Mama, I am Coming Dwelling” on Billboard’s Scorching Exhausting Rock Songs chart, in order that they have been seemingly subsequent in line. (“No Extra Tears” hit No. 71 in 1992, whereas “Paranoid” topped out at No. 61 in 1970, so each wanted to clear the highest 50 benchmark in an effort to chart on the Scorching 100 now.)
On Billboard’s albums chart, a 2003 compilation titled The Important Ozzy Osbourne races from No. 134 to No. 7 this week, simply outpacing its prior peak at No. 81. That set is now the singer’s tenth album to land within the high 10. Black Sabbath’s catalog has skilled a lift, too: The band’s 1970 traditional Paranoid — the one with “Warfare Pigs,” “Iron Man” and, after all, “Paranoid” — reenters this week’s chart at No. 37.
